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646f9e108c A detective tries to get back a child who has been kidnapped by gangsters.
Is it just me, or is this heap of s..t so favorably reviewed, it isn&#39;t funny. One thing this (movie-very sarcastic) truly is. This (film) sorry, s..t is so bad, it makes Kill point look good. Kill Point did have class, but I don&#39;t know what this film has. This is another write the script as you go movie, honestly. This film features, over washing a dog, a stable of classy broads, plus Cameron Mitchell, a lieutenant, going off at our Mcgyver looking type hero cop, Turk, who earns the title. Great frizzy hairdo by the way. And for script continuity, what we&#39;ve got are prolonged scenes, some almost unnecessary, cutting away from the meat of the story, that will provide some lengthy snores. Here&#39;s as example of write as you go. A woman who&#39;s little boy, had been kidnapped, and held for ransom, is walking this L.A street, forlorn, explains her situation to a stranger who points to the Hollywood cop, who&#39;s happening by. Dialogue not exact but words to this effect:<br/><br/>FRANTIC WOMAN<br/><br/>Someone&#39;s taken my boy, I don&#39;t know<br/><br/>what to do.<br/><br/>WOMAN STRANGER<br/><br/>May&#39;be he can help. That&#39;s Joe Turk. He&#39;s <br/><br/>a cop.<br/><br/>FRANTIC WOMAN<br/><br/>(relieved)<br/><br/>Really.<br/><br/>Yeah, really. That&#39;s what to expect from this. Some hot looking classy gals, and ones shirtless in panties is the upside of this trash, if written at a minutes notice. Jim Mitchum who plays a bad guy/uptown pimp, what have you, actually does a fine job here, where I had previously seen him in Trackdown, his character in that, playing at the good end of the scale. Some scenes are so embarrassingly funny, especially in an action sequence, where we cut back and forth a few times to a bedroom scene, of drunken angry sex- our henchman wanted to do it on the floor. So, if you&#39;re the undemanding viewer, it&#39;s pretty much it&#39;s your call. If you&#39;re the one with regrets, like me, surely, you know what the hell I&#39;m talking about. This is a film so pathetic, I&#39;d feel solely embarrassed watching it, or moronic. Why not just leaves the broads in, and do away with this rest.
John &quot;Turky&quot; Turquoise III (Goss) is the titular Hollywood cop, and you better believe that a. He&#39;s on the edge and b. he plays by his own rules. When Rebecca (Julie Schoenhofer), a woman from a rural area of California, finds out her son Stevie (Brandon Angle) has been kidnapped by gangsters because her former husband Joe Fresno has made off with six million dollars and the baddies want to exchange the kid for the loot, she comes to &quot;the big city&quot;, Hollywood, California, to right the situation. She quickly runs into Turky (why wouldn&#39;t he be named &quot;Turky&quot;?) and he agrees to help her. Teaming up with his partner Jaguar (Kilpatrick), the duo not only have to face angry chief Bonano (Mitchell) and the questionable fellow cop Lt. Maxwell (Donahue), but they also must do battle with crime lord Feliciano (Mitchum) and his army of goons. Will Turky save the boy and woo his comely mother...all in time for Thanksgiving? Find out today! God bless Amir Shervan. We should all pause just one minute in our busy lives to honor this great man. He&#39;s an unheralded cinematic genius that has enriched all our lives with awesome entertainment. Bo

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