Olivia Edwards
Olivia Edwards campaign leader

Knock Out Hd Mp4 Download

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Knock Out Hd Mp4 Download: http://urllio.com/r2aok

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a5c7b9f00b While making a phone call from a phone booth in Worli, Mumbai, Bachubhai alias Tony Khosla, a businessman, who lives with his wife, Lakshmi, and a young daughter, is interrupted by a male. He manages to shove him out, but is interrupted again by another male, and when he shoves him out, this male pulls out a gun but is shot dead by a third unknown male. This third male phones Tony and tells him that he was the one that saved his life, and Tony cannot hang-up the phone, and if he does so, he will be shot dead. With crowds, police, and the media descending on the scene, a hapless Tony will be held hostage, his personal life, including his affair with another woman, will be exposed, while the unrelenting sniper takes his time to clarify why he has decided to hold Tony in this situation.
Hidden with a mysterious agenda, a sniper holds a businessman hostage in a closed phone booth cell, where he is ordered to obey the tasks of sniper or he will be killed.
If a film has to be judged only on the basis of noble intentions behind its making and its main aim of generating some awareness among the viewers (about their own money) then KNOCK OUT works in one way. But if the movie has to be judged as per its style of making, taking into account the various sources of its inspiration then KNOCK OUT is a complete waste of time, money, effort and creativity put in by one and all in the project.<br/><br/>In other words, to describe it as a movie, let&#39;s keep Joel Shumacher&#39;s PHONEBOOTH and our own Neeraj Pandey&#39;s A Wednesday together in a mixer and then mix it to have a new crispier and designer product to sell out in the market. That&#39;s what Mani Shanker&#39;s KNOCK OUT is in a nutshell. Taking its major inspiration of execution from PHONEBOOTH and then incorporating the national awareness theme adapted by a common man from A Wednesday, Mani Shanker comes up with his own project which unfortunately stands no-where close to any of its originals (if you have seen them both). In fact for the viewers who are well familiar with both of the above mentioned classics, KNOCK OUT remains a completely inspired and unwanted project which very childishly tries to take away the credit of the works done by the other filmmakers previously.<br/><br/>So for me, the moment I witnessed its clear unaccepted and unacknowledged link with PHONEBOOTH, the movie lost all its meaning and importance of being an Irfan Khan, Sanjay Dutt or Mani Shankar film. It was extremely shocking to see both Irfan &amp; Sanjay doing the roles which are nothing but the copy of the work of others. This once again raises the same question that Are these well known actors so uninformed or unaware of the roles they are assigned to do by their directors? OR Are they only interested in the monetary rewards they are getting in return? With the body of work associated with both Imran Khan &amp; Sanjay Dutt, there is no way that they may have not seen the hugely famous English film PHONEBOOTH and the Hit Hindi movie A Wednesday. Still they readily agreed to do exactly similar roles as seen in these two films is indeed questionable.<br/><br/>As far as the movie is concerned, Mani Shanker continues to show his fascination with Electronic Gadgets, Computers and Passwords as earlier used in his 16 December. His intention of making the people of India aware of the amount of money deposited by the Indian Politicians in Swiss Banks is appreciable. But his choice of executing the same by t

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